Ana Lily Amirpour’s A Girl Walks Home Alone at Night is a revelry of cinematic styles and innovation.

Sasho Pshenko dives into Abbas Kiarostami’s Close-Up and shows us why any attempt to separate truth from deception is missing the point.

What does it mean for experimental film, differentiated from its commercial counterpart by its ability to break rules, to go “too far”?

Dive into seven of Egyptian director Youssef Chahine's quintessential films to understand this most enigmatic of filmmakers.

Explore Phoenix’s undeniable links to Hitchcock’s Vertigo and the kinetic and psychic movement of characters through the worlds of both.

Sasho Pshenko examines The Father from the perspective of its narrative structure and tries to determine if critical praise has misplaced.

Tony Buba spent his career filming his hometown of Braddock, PA. Lily Ekimian looks back at Lightning Over Braddock and its brutal honesty.

From Nietzsche to Schopenhauer, Raphaël Duhamel explores the philosophical discourse in Charlie Kaufman’s latest film.

Hollywood has a racism problem – that much is clear. But is it beyond repair?

Lily Ekimian explores the feminist reading of Roman Polanski’s Repulsion.

Lily Ekimian argues that William Greaves’ 1968 documentary, Symbiopsychotaxiplasm is the perfect example of performance art.

Have you been experiencing strange dreams? Read Ahmed Ragheb’s take on dreams in film and the strange realities of David Lynch’s work.

Antonioni, the prolific hero of Italian cinema, seems to have fallen out of focus in recent times but is he the exact filmmaker we need now?

Lily Ekimian argues that technical blunders are one of her favorite aspects of moviegoing and why Jeanne Dielman is her favorite film.

The limits of sanity and sexual desire are tested in Robert Eggers’ latest feature film.

How much can a film truly influence policy and opinion? Ahmed Ragheb reexamines The Battle of Algiers and its continuing relevance.

Dreams and reality clash in these two films directed by legendary filmmaker Luis Buñuel.

Raphaël Duhamel gives us an in-depth look back at the elaborate career of director Paul Thomas Anderson.